Showing posts with label required reading. Show all posts
Showing posts with label required reading. Show all posts

Saturday, July 30, 2011

Eyes and Ears

Books I have currently read, am reading and will read. I seem to be on a binge of reading books about making paintings. Even the crime novel has a painter depicted. Hmmmm.

I would recommend all these books. I particularly loved The Forgery of Venus for the twists and also the description of painting during the time of Velasquez and Rembrandt in the 1600s.

If you want something wonderfully fantastical but steeped in the english language and all about literature I would direct you to the Thursday Next novels by Jasper Fforde, starting with the Eyre Affaire. I won't say more than they are delightful, creative and great reads {the audio, if you're game, is even better I think!}.

Madame Bovary was interesting to read again after many many years. I'm always happy to have been born in this century after reading an historical depiction of a long ago era where women were suppressed. Even reading something of this nature would have been scandalous in the 1800s.

The Forgery of Venus by Michael Gruber

Girl with a Pearl Earring by Tracy Chevalier

The Swan Thieves by Elizabeth Kostova

In the studio I'm listening to audio books... I'm so addicted.

Madame Bovary by Gustave Flaubert

One of our Thursdays is Missing by Jasper Fforde

Interview with a Vampire by Anne Rice

What's on your summer reading list?

Wednesday, May 4, 2011

Thalia Chaltas... book No. 2

Our dear talented friend, our word loving companion and my sometimes travel buddy has a second YA novel coming out next month. DISPLACEMENT by Thalia Chaltas.

For those of you who don't know what the heck YA means... it means Young Adult which, in my opinion, means tweeners through adult. Remember the Twilight series? I know that most of my grown "teenage" girlfriends still finger their copies and take sides in the Jacob vs. Edward debate.

I had the great pleasure of traveling with Ms. Chaltas to Death Valley to do some research for this book and was thrilled when, at last, I got my grubby hands on it! The book is written in verse which is newish to me as most of my leisure reading is prose, fiction and either fantasy or classics.

I don't want to say a lot other than this was really a terrific read. You get lost in Vera's story immediately and the description of place, both physical and emotional, feel so tangible you can taste it, feel it, know it.

We'll be throwing a "soft" launch party for Thalia in June, once she has a stack of her second novel to place next to the first... another good read by the way. Don't forget to check out her debut novel BECAUSE I AM FURNITURE.

I'm already looking forward to what comes next!

Thursday, March 11, 2010

Thank you Carolyn xo

Desiderata

-- written by Max Ehrmann in the 1920s --

Go placidly amid the noise and the haste,
and remember what peace there may be in silence.

As far as possible, without surrender,
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even to the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons;
they are vexatious to the spirit.

If you compare yourself with others,
you may become vain or bitter,
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.

Exercise caution in your business affairs,
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals,
and everywhere life is full of heroism.
Be yourself. Especially do not feign affection.
Neither be cynical about love,
for in the face of all aridity and disenchantment,
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be.
And whatever your labors and aspirations,
in the noisy confusion of life,
keep peace in your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful. Strive to be happy.

Sunday, November 15, 2009

Recession? Let's talk

Joanne Mattera posted this article on her blog recently "What recession?"

It's worth a look and a gasp. Perhaps it's heartening but maybe just out in left field.

I love Joanne's blog. She has a fabulous article every week "Marketing Mondays". Great information for artists at every level.

Sunday, August 30, 2009

Newspress Review

Art after, and during, the fires : Longtime local artist Nicole Strasburg returns to the main gallery of Sullivan Goss with impressive new paintings

By Josef Woodard NEWS-PRESS CORRESPONDENT
COURTESY PHOTOS
August 21, 2009 11:06 AM

ART REVIEW
'NICOLE STRASBURG, AIR EARTH FIRE WATER'
When: through Nov. 1
Where: Sullivan Goss - An American Gallery, 7 E. Anapamu St.
Hours: 10 a.m. to 5:30 p.m. daily
Information: 730-1460, www.sullivangoss.com/home


Given that Nicole Strasburg has, for many years, been one of the more intriguing landscape artists with an eye on - and roots in - Santa Barbara, it makes poetic sense that she would be among the first and strongest artists to make a direct response to life in the "year round fire season." After three fires in the Santa Barbara area in a year, and yet another recent blaze, the La Brea Fire, the ever-present threat and reality of fire in these parts is more pressing than ever before.

In some of her new paintings, Strasburg takes an unflinching but also carefully visualized look at the phenomenon and ambience of fire zones and fire consciousness.

Fire, and the danger and regenerative results thereof, becomes a part of the landscape, in other words, and a part of the collective mentality of life in Santa Barbara.

Beyond the unique presence of art about flames, though, for her third exhibition in the main gallery of Sullivan Goss, Strasburg goes literally elemental. This show, called "Air Earth Fire Water," delivers precisely what the title promises, but through the aesthetic filter of the artist's discerning eye and distinctive, dry stylistic voice.

Whereas her earlier shows in Sullivan Goss' high-ceilinged gallery found her painting to scale, stretching her scale to epic proportions, the new work scales back to dimensions akin to her earlier work. Apart from the large-ish paintings of kelp, depicted with the artist's skill for semi-abstractionist visual interpretation, the paintings are more manageable in scale.

She has also ventured more deeply into an exploration of the power of multiples. In addition to the singular eloquence of paintings such as "Island Hop," with its brittle luster, Strasburg also calls on the contrast and sequential aspect of the diptych. Wavy amber grasses undulate across panels in "Island Hike," waves and mottled colors create a sudsy panache over three panels in the triptych "Surf," and the crisp, barren lucidity of "Badwater, Death Valley" generates a strange beauty amidst the bleakness of unruly clouds and minimalist horizontal land below.

In a sense, the highlight and possibly the leitmotif of this exhibition is a series of 24 small square panels, assembled into a fragmented checkerboard depiction of the elements.

Swaths of sky, coastline, vegetation and, yes, flames in motion, are conjoined and also disconnected in this format, setting up echoes and rhythms of line and texture. The parts make up the whole, even in their discontinuity.

With this latest batch of paintings, Strasburg continues her impressive project of chronicling the natural life and times of Santa Barbara's environs, fire included. Meanwhile, she also makes inquiries into interior landscapes and new ways of seeing and being.

Sunday, May 24, 2009

Art in the News

Welsh Artist of the Year 2009 - Tim Freeman

Tim Freeman's Hidden System

An article in BBC news announced the winner for the Welsh artist of the year. I've never heard of the award but found the article interesting regardless. The winning image is a digitally rendered drawing by Tim Freeman using Photoshop, the image beating out 500 other entries in the competition. Read the entire article HERE. See more images of other award winners HERE. I couldn't find a website for Tim Freeman however there is another article on the awards HERE.

Also in the LA Times:


Yesterday, sweet Sam Maloof, wonderful craftsman woodworker passed away at 93. The article HERE Photo gallery HERE

Today in the LA Times:

VIVE LA FEMME: Suzanne Valadon’s "La Chambre bleue" from 1923.

Centre Pompidou puts on a show celebrating "the year of the women". Article HERE

"A long exhibition, 'elles@centrepompidou,' will feature hundreds of works by female artists only. Think of it as an alternate history."

Wednesday, March 4, 2009

Art on Paper announces new publication....

Diaries of a Young Artist
artonpaperbooks is pleased to announce the forthcoming publication of Diaries of a Young Artist, a companion book to Letters to a Young Artist. Below is Sue de Beer's diary entry, one of approximately twenty that will appear in the book.

Dear Diary,
I have been going through a slow motion break up for a year now with a guy I was crazy for. He was filled with ghosts. Covered in scars. In my mind I can still see him the way he looked the first day we met—he was standing in front of a bright window, backlit. I couldn’t see his face. He had sunglasses on. We had lunch together, and when he saw that I wasn’t eating very much, he asked if I was going to eat my lunch, then took the plate and ate my lunch, too. Later, he showed me the place on his chest where they took the skin graft to reconstruct his eyelids after his accident. Smooth white shapes, like sideways teardrops.
The first three years were some kind of. . . I don’t know. Like playing poker and winning every hand. We flew to all these crazy places to try to be together—him coming to where I was working on a project, or me going to him, where he was working somewhere. I guess more often me going to him. It changed my way of making art. Before this love affair, I had a pretty standard studio practice: four hundred square foot studio, storage space, power tools, lumber store down the street. I closed that down, and just started traveling with a big suitcase, chasing some fantasy of what love can be, making art in the bathroom when that was the only space available, or trashing every place we lived in making sets and props on the bed, kitchen table, any available space. We lived in 8 different apartments and a lot of hotel rooms between 2003 and 2006, and I had 5 temporary studios in that time which I would take on, build out, shoot in, clean up, and close down. My permanent space in Europe was a storage space near the Shönefeld airport in Berlin, where I would bring stuff after closing down a studio. In the U.S. my permanent place was my sister’s basement, where she let me store whatever my last body of work was.
I think I forgot it wasn’t sustainable, to do this forever, and 2007 was more like when you play poker and you lose lose lose. I got an apartment in New York and crashed, finishing some big shows in Berlin, Antwerp, L.A. Then I just couldn’t make art anymore. I guess that was in December. Maybe things were bad before 2007. I don’t know. As I sit here trying to sort things out, I can’t quite reconstruct what happened. I missed some signs that things were drifting, or over. Or he lied to me. Or both of those things.
So, Dear Diary, what is my studio practice like? Certainly about to change, here in 2008. When I get on my plane in a month, computer and camera in my carry-on, notebooks and negatives in a DHL shipment, shoes and clothes in my giant suitcase, I will be flying back to some blank future. Flying into The End.

Diary entry by Sue de Beer. The book also includes entries by Ellen Altfest, Ryan Gander, Katy Grannan, Terence Koh, Sterling Ruby, and many others.

------------------------
80 pp., $15 ($12 for artonpaper subscribers)
To order in advance call 212.675.1968 or email circulation@dartepub.com.
Or, you can pre-order at our booth at the Armory Show this weekend, booth L-14.

artonpaper | 150 W. 28th St. | Suite 504 | New York | NY | 10001

Tuesday, March 3, 2009

Introducing Sue Favinger Smith

I stumbled onto Sue's blog recently through a google search to read a post titled "what does it take to be talented" . The author of the blog made reference to an article that I had read (and LOVED) by Malcolm Galdwell titled "Late Bloomers" which appeared in the October 2008 issue of the New Yorker. Sue's follow up post "The Near-Extinction of Blind Faith" was a wonderful exploration into the meat of what Malcolm Gladwell discussed in his article.

I won't be giving anything away here... as I think reading all the articles is well worth the time.

Sue's Blog....
Ancient Artist: Developing an art career after 50
On creating art in Oregon, starting a second career instead of retiring, developing a marketing strategy, and philosopical discussions about art.

Wednesday, December 17, 2008

Introducing Thalia Chaltas


I can't wait, I can't wait! I've been saying this to Thalia since she first told me of her debut novel. Up until today I did not know the title or subject matter, she kept her cards very close to her, sharing little and inciting great interest. I will admit that I love books and yes, have a fascination with Young Adult literature. Really, who can resist Harry Potter or the Twilight phenomenon? (If these two references elude you... go directly to the sites and start educating yourselves.) There are also the books by Philip Pullman, Juliet Marillier, do I need to even mention JRR Tolkein?!

I have been waiting ever patiently for Thalia to announce the release of her book. Like most publishing endeavors I'm sure there are many hurdles. So I kept checking the internet waiting, hoping to find more information. Today I hit the motherload ... the book is listed at AMAZON as well as several pre-release reviews HERE and HERE and HERE.

The release date is April 16th, 2009, I don't know how I will be able to stand it. The reviews are already pronouncing tremendous literary success which will be the precursor to many more novels in future. I'm already proud and thrilled. It's wonderful to be witness to the success of a friend and fellow artist. Bravo Thalia!!

Monday, October 6, 2008

Take a minute to protect your rights as an image maker

OPPOSE ORPHAN WORKS - Go here and WRITE CONGRESS

I just wrote Congress to oppose the Orphan Works Bills. Please take a minute to send letters to your representative opposing this bill that greatly infringes upon copyright protection for artists.

Click on HERE to take action now

Click HERE to read the bill itself.

HERE is a link to already written letters that you can just click and send.

Thursday, September 18, 2008

One more from a beloved writer.... Anne Lamott

A call to arms

How to handle the fury brought on by this election? Register voters, hit the streets, pray. Stop talking about her. Talk about Obama.

By Anne Lamott

Sep. 16, 2008 | I had to leave church Sunday morning when it turned out that the sermon was not about bearing up under desperate circumstances, when you feel like you're going crazy because something is being perpetrated upon you and your country that is so obscene that it simply cannot be happening.

I sat outside a 7-Eleven and had a sacramental Dove chocolate bar. Jeez: Here we are again. A man and a woman whose values we loathe and despise -- lying, rageful and incompetent, so dangerous to children and old people, to innocent people in every part of the world -- are being worshiped, exalted by the media, in a position to take a swing at all that is loveliest about this earth and what's left of our precious freedoms.

When I got home from church, I drank a bunch of water to metabolize the Dove bar and called my Jesuit friend, who I know hates these people, too. I asked, "Don't you think God finds these smug egomaniacs morally repellent? Recoils from their smugness as from hot flame?"

And he said, "Absolutely. They are everything He or She hates in a Christian."

I have been in a better mood ever since, and have decided not to even say this woman's name anymore, because she fills me with such existential doubt, such a sense of impending doom and disbelief, that only the Germans could possibly have words for it. Nor am I going to say the word "lipstick" again until after the election, as it would only be used against me. Or "polar bear," because that one image makes me sadder than even horrible old I can stand.

I hate to criticize. And I love to kill wolves as much as the next person does. But this woman takes such pride in her ignorance, doesn't have a doubt in the world about her messianic calling, that it makes anyone of decency feel nauseated -- spiritually, emotionally and physically ill.

I say that with love. As we say in Texas. (Also, we say, "Bless her heart.")

We felt this grief and nausea during the run-up to the war in Iraq. We felt it after the 2004 election. And now we feel it again.

But since there are still six weeks until the election, and since the stakes are as high as the sky, which should definitely not be forced to endure four more years of the same, we have got to get a grip. There are millions of people to register to vote, millions of dollars to be raised. We really cannot go around feeling flat and defeated, with the need to metabolize the rotten meat that this one particular candidate and the media have forced upon us.

One of the tiny metabolic suggestions I have to offer -- if, like me, you choose not to have her name on your lips, like an oozy cold sore (I say that with love) -- is to check out a Web site called the Sarah Palin Baby Name Generator. There you can find out what she and her husband would have named you if you had been their baby. My name, Anne, for instance, would be Krinkle Bearcat. John, her running mate, would be named Stick Freedom. George would be Crunk Petrol. And so on.

First of all, go find out what your own name would be. Then for one day refuse to use the name of these people who are so damaging to earth and to our very souls -- so, "I don't have to understand anything, it's all fuzzy math. Trust me. I'm the decider." From now on, when working for Obama, talk about Obama, talk about his policies, the issues, the economy, the war in Iraq, poverty, the last eight years, Joe Biden. You don't have to mention Crunk Petrol, or his sidekick, Shaver Razorback.

And you sure as hell don't have to mention Claw Washout -- she is absolutely, hands-down the most ludicrous person ever to be nominated. She's a "South Park" character. There was a mix-up. Mistakes were made.

Everything you need to know about how to bear up during these two months is already inside you. Go within: Work on your own emotional acre. Stand still, and hurt, and feel crazy. Then drink a lot of water, pray, meditate, rest. Rest is a spiritual act. Now, I am a reform Christian, so it is permissible for me to secretly believe that God hates this woman, too. I heard God slam down a couple of shooters while she was talking the other night.

Figure out one thing you can do every single day to be a part of the solution, concentrating on swing states. Money, walking precincts, registering voters, whatever. This is the only way miracles ever happen -- left foot, right foot, left foot, breathe. Right foot, left foot, right foot, breathe. The great novelist E.L. Doctorow once said that writing a novel is like driving at night with the headlights on: You can only see a little ways in front of you, but you can make the whole journey this way. It is the truest of all things; the only way to write a book, raise a child, save the world.

As my anonymous pal Krinkle Bearcat once wrote: Laughter is carbonated holiness. It is chemo. So do whatever it takes to keep your sense of humor. Rent Christopher Guest movies, read books by Roz Chast and Maira Kalman. Picture Stick Freedom in his Batman underpants, having one of his episodes of rage alone in one of his seven bedrooms. Or having one of his bathroomy little conversations with Froth Moonshine. (Bless their hearts.) Try to remember that even Karl Rove has accused him of being a lying suck.

Reread everything Molly Ivins and Jim Hightower ever wrote. Write down that great line of Molly's, that "freedom fighters don't always win, but they're always right." Tape it next to your phone.

Call the loneliest person you know. Go flirt with the oldest person at the bookstore.

Fill up a box with really cool clothes that you haven't worn in a year, and take it to a thrift shop. Take gray water outside and water whatever is growing on your deck. This is not a bad metaphor to live by. I think it is why we are here. Drink more fluids. And take very gentle care of yourself and the people you most love: We need you now more than ever.

Friday, September 12, 2008

Eve on Sarah

I'm not usually so politically outspoken... I am a quiet conservative liberal (if there is such a thing). But I have to say that it's difficult in this election not to get passionate over the issues confronting us and impassioned by the choices set out for our consideration. Here is another good article written by a fellow artist whom I have adored for years... Amen Eve.

Eve Ensler, the American playwright, performer, feminist and activist.

Drill, Drill, Drill

I am having Sarah Palin nightmares. I dreamt last night that she was a member of a club where they rode snowmobiles and wore the claws of drowned and starved polar bears around their necks. I have a particular thing for Polar Bears. Maybe it's their snowy whiteness or their bigness or the fact that they live in the arctic or that I have never seen one in person or touched one. Maybe it is the fact that they live so comfortably on ice. Whatever it is, I need the polar bears.

I don't like raging at women. I am a Feminist and have spent my life trying to build community, help empower women and stop violence against them. It is hard to write about Sarah Palin. This is why the Sarah Palin choice was all the more insidious and cynical. The people who made this choice count on the goodness and solidarity of Feminists.

But everything Sarah Palin believes in and practices is antithetical to Feminism which for me is part of one story -- connected to saving the earth, ending racism, empowering women, giving young girls options, opening our minds, deepening tolerance, and ending violence and war.

I believe that the McCain/Palin ticket is one of the most dangerous choices of my lifetime, and should this country choose those candidates the fall-out may be so great, the destruction so vast in so many areas that America may never recover. But what is equally disturbing is the impact that duo would have on the rest of the world. Unfortunately, this is not a joke. In my lifetime I have seen the clownish, the inept, the bizarre be elected to the presidency with regularity.

Sarah Palin does not believe in evolution. I take this as a metaphor. In her world and the world of Fundamentalists nothing changes or gets better or evolves. She does not believe in global warming. The melting of the arctic, the storms that are destroying our cities, the pollution and rise of cancers, are all part of God's plan. She is fighting to take the polar bears off the endangered species list. The earth, in Palin's view, is here to be taken and plundered. The wolves and the bears are here to be shot and plundered. The oil is here to be taken and plundered. Iraq is here to be taken and plundered. As she said herself of the Iraqi war, "It was a task from God."

Sarah Palin does not believe in abortion. She does not believe women who are raped and incested and ripped open against their will should have a right to determine whether they have their rapist's baby or not.

She obviously does not believe in sex education or birth control. I imagine her daughter was practicing abstinence and we know how many babies that makes.

Sarah Palin does not much believe in thinking. From what I gather she has tried to ban books from the library, has a tendency to dispense with people who think independently. She cannot tolerate an environment of ambiguity and difference. This is a woman who could and might very well be the next president of the United States. She would govern one of the most diverse populations on the earth.

Sarah believes in guns. She has her own custom Austrian hunting rifle. She has been known to kill 40 caribou at a clip. She has shot hundreds of wolves from the air.

Sarah believes in God. That is of course her right, her private right. But when God and Guns come together in the public sector, when war is declared in God's name, when the rights of women are denied in his name, that is the end of separation of church and state and the undoing of everything America has ever tried to be.

I write to my sisters. I write because I believe we hold this election in our hands. This vote is a vote that will determine the future not just of the U.S., but of the planet. It will determine whether we create policies to save the earth or make it forever uninhabitable for humans. It will determine whether we move towards dialogue and diplomacy in the world or whether we escalate violence through invasion, undermining and attack. It will determine whether we go for oil, strip mining, coal burning or invest our money in alternatives that will free us from dependency and destruction. It will determine if money gets spent on education and healthcare or whether we build more and more methods of killing. It will determine whether America is a free open tolerant society or a closed place of fear, fundamentalism and aggression.

If the Polar Bears don't move you to go and do everything in your power to get Obama elected then consider the chant that filled the hall after Palin spoke at the RNC, "Drill Drill Drill." I think of teeth when I think of drills. I think of rape. I think of destruction. I think of domination. I think of military exercises that force mindless repetition, emptying the brain of analysis, doubt, ambiguity or dissent. I think of pain.

Do we want a future of drilling? More holes in the ozone, in the floor of the sea, more holes in our thinking, in the trust between nations and peoples, more holes in the fabric of this precious thing we call life?


Eve Ensler

September 5, 2008

Thursday, September 4, 2008

Amen Gloria!

Palin: wrong woman, wrong message

Sarah Palin shares nothing but a chromosome with Hillary Clinton. She is Phyllis Schlafly, only younger.
By Gloria Steinem

From the Los Angeles Times Opinion Page
September 4, 2008

Here's the good news: Women have become so politically powerful that even the anti-feminist right wing -- the folks with a headlock on the Republican Party -- are trying to appease the gender gap with a first-ever female vice president. We owe this to women -- and to many men too -- who have picketed, gone on hunger strikes or confronted violence at the polls so women can vote. We owe it to Shirley Chisholm, who first took the "white-male-only" sign off the White House, and to Hillary Rodham Clinton, who hung in there through ridicule and misogyny to win 18 million votes.

But here is even better news: It won't work. This isn't the first time a boss has picked an unqualified woman just because she agrees with him and opposes everything most other women want and need. Feminism has never been about getting a job for one woman. It's about making life more fair for women everywhere. It's not about a piece of the existing pie; there are too many of us for that. It's about baking a new pie.

Selecting Sarah Palin, who was touted all summer by Rush Limbaugh, is no way to attract most women, including die-hard Clinton supporters. Palin shares nothing but a chromosome with Clinton. Her down-home, divisive and deceptive speech did nothing to cosmeticize a Republican convention that has more than twice as many male delegates as female, a presidential candidate who is owned and operated by the right wing and a platform that opposes pretty much everything Clinton's candidacy stood for -- and that Barack Obama's still does. To vote in protest for McCain/Palin would be like saying, "Somebody stole my shoes, so I'll amputate my legs."

This is not to beat up on Palin. I defend her right to be wrong, even on issues that matter most to me. I regret that people say she can't do the job because she has children in need of care, especially if they wouldn't say the same about a father. I get no pleasure from imagining her in the spotlight on national and foreign policy issues about which she has zero background, with one month to learn to compete with Sen. Joe Biden's 37 years' experience.

Palin has been honest about what she doesn't know. When asked last month about the vice presidency, she said, "I still can't answer that question until someone answers for me: What is it exactly that the VP does every day?" When asked about Iraq, she said, "I haven't really focused much on the war in Iraq."

She was elected governor largely because the incumbent was unpopular, and she's won over Alaskans mostly by using unprecedented oil wealth to give a $1,200 rebate to every resident. Now she is being praised by McCain's campaign as a tax cutter, despite the fact that Alaska has no state income or sales tax. Perhaps McCain has opposed affirmative action for so long that he doesn't know it's about inviting more people to meet standards, not lowering them. Or perhaps McCain is following the Bush administration habit, as in the Justice Department, of putting a job candidate's views on "God, guns and gays" ahead of competence. The difference is that McCain is filling a job one 72-year-old heartbeat away from the presidency.

So let's be clear: The culprit is John McCain. He may have chosen Palin out of change-envy, or a belief that women can't tell the difference between form and content, but the main motive was to please right-wing ideologues; the same ones who nixed anyone who is now or ever has been a supporter of reproductive freedom. If that were not the case, McCain could have chosen a woman who knows what a vice president does and who has thought about Iraq; someone like Texas Sen. Kay Bailey Hutchison or Sen. Olympia Snowe of Maine. McCain could have taken a baby step away from right-wing patriarchs who determine his actions, right down to opposing the Violence Against Women Act.

Palin's value to those patriarchs is clear: She opposes just about every issue that women support by a majority or plurality. She believes that creationism should be taught in public schools but disbelieves global warming; she opposes gun control but supports government control of women's wombs; she opposes stem cell research but approves "abstinence-only" programs, which increase unwanted births, sexually transmitted diseases and abortions; she tried to use taxpayers' millions for a state program to shoot wolves from the air but didn't spend enough money to fix a state school system with the lowest high-school graduation rate in the nation; she runs with a candidate who opposes the Fair Pay Act but supports $500 million in subsidies for a natural gas pipeline across Alaska; she supports drilling in the Arctic National Wildlife Reserve, though even McCain has opted for the lesser evil of offshore drilling. She is Phyllis Schlafly, only younger.

I don't doubt her sincerity. As a lifetime member of the National Rifle Assn., she doesn't just support killing animals from helicopters, she does it herself. She doesn't just talk about increasing the use of fossil fuels but puts a coal-burning power plant in her own small town. She doesn't just echo McCain's pledge to criminalize abortion by overturning Roe vs. Wade, she says that if one of her daughters were impregnated by rape or incest, she should bear the child. She not only opposes reproductive freedom as a human right but implies that it dictates abortion, without saying that it also protects the right to have a child.

So far, the major new McCain supporter that Palin has attracted is James Dobson of Focus on the Family. Of course, for Dobson, "women are merely waiting for their husbands to assume leadership," so he may be voting for Palin's husband.

Being a hope-a-holic, however, I can see two long-term bipartisan gains from this contest.

Republicans may learn they can't appeal to right-wing patriarchs and most women at the same time. A loss in November could cause the centrist majority of Republicans to take back their party, which was the first to support the Equal Rights Amendment and should be the last to want to invite government into the wombs of women.

And American women, who suffer more because of having two full-time jobs than from any other single injustice, finally have support on a national stage from male leaders who know that women can't be equal outside the home until men are equal in it. Barack Obama and Joe Biden are campaigning on their belief that men should be, can be and want to be at home for their children.

This could be huge.

Gloria Steinem is an author, feminist organizer and co-founder of the Women's Media Center. She supported Hillary Clinton and is now supporting Barack Obama.

Wednesday, February 20, 2008

Art and Politics

I received this article today, from the blog My Dance Place, regarding which Presidential candidates support the arts. It's both interesting and not so surprising. Scrolling down through the article there is a laundry list of each of the three main candidates stats.

Here they are, taken from the article, but I do recommend reading the the entire piece....

Barack Obama:
-Supports increasing funding for the NEA from $125 million to $175 million annually
-Wants to expand both public and private partnerships between schools and arts organizations
-Supports the creation of an "Artists Corp" to work in low-income communities
-Promotes cultural diplomacy (send performance artists abroad)
-Welcomes international artists into the US
-Wants to provide health care to artists and their family members
-Supports ensuring tax fairness for artists
-As Senator, co-sponsored and passed legislation to honor the legacy of Katherine Dunham
-Supports the Artists-Museum Partnership Act, which allows artists to deduct the fair market value of their work when making charitable contributions

Hillary Clinton:
-Supports the NEA's mission and increasing Federal funding for the NEA
-Wants to reform No Child Left Behind to strengthen funding for arts education in public schools
-Believes in international cultural exchange as a form of diplomacy
-Supporter of Public Broadcasting
-Created the Finger Lakes Trading Cooperative, an initiative that links local businesses with artisans in upstate NY
-Helped to develop affordable living/work space for artists in Buffalo
-Entered a statement to the Senate Congressional Record in support of creative arts therapies
-As First Lady, was the honorary chair of the President's Committee on the Arts and Humanities

John McCain:
-In 1999, voted NO on funding for the National Endowment of the Arts
-Does not support abolishing the NEA
-Voted in favor of the Helms Amendment to withdraw Federal funding grants to art considered "obscene"
-An honorary member of the National Hispanic Foundation for the Arts, 1997-present
-2007, proposed a bill to protect Indian arts and crafts

Oh boy! There is so much listed to comment on. The one thing that really sticks out is the Artists-Museum Partnership Act.

I love the idea of getting paid fair market value for a painting when giving a donation, for several reasons.... 3 of them being, most often the donation is 100% to the organization with no percentage to the artist (although that is changing), getting the nominal deduction for materials really doesn't help with the tax write off that many organizations think you are receiving by giving to them and lastly, with many auctions the artwork sells for far more than the market value because of the cause that it is benefiting.

Now, I'm not a disgruntled artist and I certainly LOVE to support the non profits when they are fund raising, however sometimes I feel it is in my own best interest to just write a check to the organization rather than donate my livelihood. I know, I know, I read this and think that it's not in the spirit of giving, but even large corporations are getting the tax benefit from donating large sums of money to the non profits. It's not because they want something back for what they are giving, it's just a benefit and encourages them to be generous. I would like to feel that good about my generosity too! and yes, claim it on my tax return.

Wednesday, January 16, 2008

Thoughts for a new year

A good friend of mine sent me the link to this article on creativity the other day, which led me to the website 43folders, which led to a fascinating article written by Ryan Norbauer.

The article, you ask? Death and Underachievement: A Guide to Happiness and Work.

It's well worth the read, as is the first article Working in Close.

Happy reading.

Thursday, July 5, 2007

Dana Gioia, chairman of the National Endowment for the Arts, delivers a powerful Commencement address

Dana Gioia, chairman of the National Endowment for the Arts, delivered the Commencement address June 17 at Stanford University. This link was passed on to me from Alyson Stanfield.

Here is just a small excerpt:

"Art is an irreplaceable way of understanding and expressing the world—equal to but distinct from scientific and conceptual methods. Art addresses us in the fullness of our being—simultaneously speaking to our intellect, emotions, intuition, imagination, memory, and physical senses. There are some truths about life that can be expressed only as stories, or songs, or images.

Art delights, instructs, consoles. It educates our emotions. And it remembers. As Robert Frost once said about poetry, "It is a way of remembering that which it would impoverish us to forget." Art awakens, enlarges, refines, and restores our humanity. You don't outgrow art. The same work can mean something different at each stage of your life. A good book changes as you change."

Read the entire commencement speech HERE it's worth the time and effort. WOW!

Wednesday, May 23, 2007

The Lovely Sylvia White

I had the great good fortune of having Sylvia White visit my studio yesterday afternoon. After several years of being inspired by her newsletters coupled with crippling post exhibition blues that were making it difficult to get back to the easel, I decided it was time to hire Sylvia to guide me making the next move with my career.

She was gracious and lovely, in addition to telling the hard truths without sugar coating - a character trait I admire, particularly in business. She had reviewed all my online material and came prepared with a consultation kit. She advised me on the holes that existed in my resume and made suggestions about how to fill them. She left me with homework and the feeling that I'm moving in the right direction.

Marketing your work is a matter of casting out your line continuously, keep knocking on doors, keep asking for your work to be seen, and most importantly, know what it is that you want. What is your end goal?

I heard in a lecture, long ago, the line "how do you know which direction to set sail if you don't know which port your are aiming for?" A few minor changes in your steering can multiply the shift in your trajectory exponentially in the long haul, so best to know what it is you are attempting in order to make the right adjustments. Small changes can have enormous impact, which means baby steps.... always baby steps. Growing slowly keeps the fear from ruling your decisions.

Thank you Sylvia for the confidence and the encouragement. Thank you also for the suggestions and even the homework. You are a treasure and an invaluable asset.

If anyone is wondering if I would recommend Sylvia's services? I would say it is one of the best places to invest your time and money.
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