I have been trying to figure out a way to photograph the new print with embossing. At last I figured out that the natural sunlight and shadows would give me the best image. Taking a photo of white on white is difficult, especially when the line work is detailed.
Here it is, one of my experiments with the combination solar plate and borco board embossing, all printed together on the press at one time.
When I print again I will document the process and substrate so that it's easier to see what I've done.